JESSE MILLER
Untitled (Head Shape with Waves on Red), 2018
Acryclic, pen, gesso, UV-resistant varnish on canvas, 10” x 12”
Sold
JURGIS GAUCYS
Turning Doodle 2, 2022
Cocobolo, 2” x 2” x 0.5”
Sold
ANGELINA TOLENTINO
As my toes sank in, I listened, 2022
Mixed media, 4.5” x 6.5” x 11” (framed)
$225
LISA STEWART
Gemma, 2022
Collage,14” x 17”
Sold
NANCY DEAL
Brutal Doodle
Brass, copper, steel, silver, jet, 8" X 6 1/2" X 4"
Sold
DANIEL RINER
Cotton Candy OG, 2022
Acrylic and spray paint on canvas, 16” x 21”
$950
JESSE MILLER
Untitled, 2012
Acrylic on paper, 11” x 14” (framed)
$450
JURGIS GAUCYS
Turning Doodle 4, 2022
Wisconsin buckthorn, 3” x 3” x 2.5”
$75
VIA HEDERA
Witch, Don’t Kill My Vibe, 2022
Clay, acrylic, moss, dollhouse miniature books, faux flora, 7” x 5.5” x 6”
$500
JENNIFER HOUGH
Untitled Woman, 2019
Steel scrap, 17” x 17” x 9”
Sold
BOB NIELSEN
Pop Pastiche 2, 2022
Polymer clay on wood, 12” x 12”
Sold
LAUREN GROSSMAN
An Hook, 2022
Cast iron, ceramic, glaze, copper, brass, steel, + sterling silver, 7.5” x 6 x 3.5”
$700
DANIEL RINER
Land of Zkittles, 2022
Watercolor and acrylic on paper, 8” x 10”
Sold
JOEL COLVOS
Camera 4, 2022
Found objects, paint
3” x 12” x 3”
Sold
LISA STEWART
Nature Grrl, 2022
Collage, 15” x 18”
$375.00
CURTIS FRYE
Figure 3 (S2), 2022
Acrylic on canvas, 20” x 20”
$800
JANICE FINDLEY
Requiem for a Nermish (#3 in One Frame Films Series)
Designed & Directed by Janice Findley. Camera: Jyh-Lurn Chang, B&W timing and Printing: Mark A. Vieira. Starring Lizabeth Scott.
11” x 8.5” digital print. Edition of 25
$295 unframed, $400 framed (archival)
KAREN JO COMBS
Color Cloud Dreams, 2022
Screen printing, ink and acrylic on Arches paper mounted on wood panel, 12” x 12”
$435
SONJA PETERSON
Throbber, 2022
Ceramic,13” x 10” x 12”
$840
JESSE MILLER
Aneh Merah (Strange Red), 2018
Acrylic, gesso, UV resistant varnish on canvas, 12” x 12”
$425
SAYA MORIYASU
Dragon Pick a Doodle, 2022
Ceramic and 12 doodles on vintage 3” x 5” cards. 5.75” x 8 x 9”
Courtesy J. Rinehart Gallery
$520
LOUISE BURGESS
Untitled (Face 1), 2022
Collage, 8” x 12”
$225 unframed, $300 in vintage frame
NATE LIPPENS
Scribble 1 (Ashes To Ashes), 2022
Ink on paper, 8” x 9”
Sold
RACHEL MAXI
Feel City Cup Tower, 2022
Oil paint, discarded paper coffee cups, found wood, and metal support rod, 18” x 5.5” x 5.5”
LISA WHITSITT
Reunion, 2022
Sumi ink, graphite, wax medium on tumbled marble, 12” x 12”
$750
GENE GENTRY MCMAHON
Hannah Rides, 2022
Hand colored intaglio print, AP, 11 7/8” x 7 3/4," 18” x 13 5/8” (framed)
Sold
MARK SULLO
Hunter, 2022
Paper collage on wood, 5” x 7”
Sold
SARAH NORSWORTHY
Gardening in the rain, 2022
Oil on panel, 9.5” x 6.75”
Courtesy Studio E Gallery
$675
SHELLI MARKEE
Space to Ponder
Steel wire, 10” x 6.5” x 2.5”
$300.00
VINNY PACHECO
It’s about time. An increase in something besides price, 2022
Decollage on found image, 6” x 4”
$275
VIRGINIA BUNKER
Sun. Moon. I., 2022
Found fabric in vintage frame,16” x 18.5”
$350
LINDA BEAUMONT
Through the Tangent (Bee an Elephant) / verso: Little One, 2022
Watercolor and gold leaf on beeswaxed book pages, 7” x 4”
Sold
COLEMAN STEVENSON
Progress and Pageantry, 2022
Collage, 10” x 13,” 13” x 17 (framed)
Price on request
JESSE MILLER
Strange Yellow (Aneh Kuning), 2016
Acrylic and varnish on canvas, 11” x 14”
$500
SONJA PETERSON
Gussy, 2022
Ceramic, ostrich feathers, 8” x 10” x 5”
$520
LISA STEWART
I Would Bend Over Backwards, 2022
Collage,17” x 24” in vintage metallic frame
Sold
URSULA BROOKBANK
Fulvia's Flight, a tale of transformation in the life of a Roman princess
2022 — work in progress
Maquette for a movie. Black foil, clay, wire, sandstone, size variable.
NFS
At the age of fourteen Fulvia weds Roman emperor Caracalla in a lavish ceremony. She wears true ivory slippers with layer upon layer of rare and fancy things to adorn her beauty and golden peacock tongue is served. Soon the frugal emperor realizes that Fulvia's selfish desires are insatiable and his riches are dwindling. She mocks and castigates his miserliness and becomes ugly from her excess. He loathes the sight of her. To be free of his worry and rage Fulvia indulges in the alpine waters of the roman baths. In the sanctity of the baths a calm breeze washes over her, nature’s powers seep into her pores giving Fulvia the gift of transformation. She perfects becoming a fish, a pine tree, a sacred elephant all in a golden glow. Her need for luxury fades and with ease her natural beauty is restored. It's a revelation. Fulvia confesses her powers, and the terrified emperor swiftly banishes her to the far away Aeolian Islands. The sea crossing is turbulent, the small boat is tossed emptying Fulvia into deep waters, in a flash she is a fish and safe. While she rests on a kelp bed the princess is greeted by a gilthead sea bream who praises her grace and agility, useful as landfall approaches. On the volcanic island Fulvia instinctively gathers a riches of honey, olives and molten rock minerals to nourish her growth into a tall parasol pine with wide limbs just at the top. News reaches Caracalla that Fulvia is using her gifts, if she is a tree perhaps next as an elephant she will trample the crops, or devour precious seeds, or crush the fragile empire. Fearing disaster, he plots to poison her roots. As an elegant crow Fulvia quickly takes flight from a long tree branch never to return.
